{"id":2911,"date":"2017-07-23T15:19:35","date_gmt":"2017-07-23T13:19:35","guid":{"rendered":"http:\/\/www.ludovi.ca\/fondationmdm\/?page_id=2911\/"},"modified":"2026-04-13T17:09:59","modified_gmt":"2026-04-13T15:09:59","slug":"list-of-awarded-prix","status":"publish","type":"page","link":"https:\/\/www.fondationmdm.com\/en\/list-of-awarded-prix\/","title":{"rendered":"List of awarded prix"},"content":{"rendered":"

Marion Sergent<\/span><\/a><\/div>
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2026<\/strong><\/th>\n\n

Henry Valensi (1883-1960), un modernisme m\u00e9diterran\u00e9en<\/p>\n<\/th>\n

Nationality: France<\/b>
\n<\/strong>Category: History of modern art<\/th>\n<\/tr>\n<\/thead>\n
Research in progress<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
Fran\u00e7ois Pacha Miran<\/span><\/a><\/div>
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2025<\/strong><\/th>\nL\u2019art du livre enlumin\u00e9 au Levant chr\u00e9tien : Chypre, Le Caire, J\u00e9rusalem (Xe \u2013 XIIIe si\u00e8cle)<\/th>\nNationality: France<\/b>
\n<\/strong>Category: History of Eastern Medieval Art<\/th>\n<\/tr>\n<\/thead>\n
Research in progress<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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Alessandro Serrani<\/span><\/a><\/div>
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2024<\/strong><\/th>\nCarlo Crivelli\u2019s polyptychs along the Marches coast: philology and graphic reconstructions<\/th>\nNationality: Italy<\/b>
\n<\/strong>Category: Art history Italian renaissance<\/th>\n<\/tr>\n<\/thead>\n
Giunto nella Marca di Ancona, Carlo Crivelli (1430\/1435 – 1494\/1495) individu\u00f2 dapprima nella citt\u00e0 di Fermo e poi quella di Ascoli Piceno i poli per la diffusione della sua arte. […]<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
Nadine ATaLlah<\/span><\/a><\/div>
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2023<\/strong><\/th>\n Les all\u00e9geances contradictoires d\u2019Inji Efflatoun (1924-1989). Trajectoire d\u2019une artiste militante \u00e0 travers l\u2019\u00c9gypte du XXe si\u00e8cle<\/b><\/th>\nNationality: France Egypte<\/b>
\n<\/strong>Category: History of modern art<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Il s\u2019agit d\u2019une \u00e9tude monographique sur Inji Efflatoun (1924-1989), artiste-peintre et militante f\u00e9ministe et communiste \u00e9gyptienne, r\u00e9alis\u00e9e \u00e0 travers une approche qui associe histoire de l’art et histoire culturelle et sociale. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MOHAMED IBRAHIM <\/span><\/a><\/div>
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2022<\/th>\nMamluk chivalry through military painted manuscripts<\/em><\/strong><\/th>\nNationality: Egypt<\/b>
\n<\/strong>Category: Islamic archeology<\/b><\/th>\n<\/tr>\n<\/thead>\n
This research deals with a study of several military Mamluk manuscripts decorated with paintings. The Mamluk period witnessed remarkable achievements in all the majors of arts and manuscripts. This study brought new results that reveal for the first time much about Chivalry books and their content; and it traces various copies in international libraries and museums. The results are articulated in two parts. […]<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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GEOFFREY MEYER-FERNANDEZ<\/span><\/a><\/div>
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2020<\/strong><\/th>\nBetween\u00a0 Orient and Occident : three churches painted by Greek families in Crete, in Cyprus and Rhodes (XIVe-XVe si\u00e8cle)<\/em><\/th>\nNationality: France
\n<\/strong>Category: History of medieval art<\/strong><\/th>\n<\/tr>\n<\/thead>\n
La recherche a pour but d\u2019une part d\u2019appr\u00e9hender la mani\u00e8re dont les commanditaires ont utilis\u00e9 l\u2019image religieuse pour exprimer leur pi\u00e9t\u00e9, leurs valeurs et leurs identit\u00e9s sociales et culturelles, et d\u2019autre part de mettre en \u00e9vidence des \u00e9changes artistiques qui ont eu cours en M\u00e9diterran\u00e9e entre la fin du Moyen \u00c2ge et le d\u00e9but des temps modernes. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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CLAIRE CAMBERLEIN<\/span><\/a><\/div>
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2019<\/strong><\/th>\nR\u00e9utiliser le pass\u00e9 dans l’Antiquit\u00e9 grecque. \u00c9tude des ph\u00e9nom\u00e8nes m\u00e9moriels \u00e0 Rhodes et dans le Dod\u00e9can\u00e8se entre le XVe et le Ve avant J.-C. <\/em><\/th>\nNationality: France
\n<\/strong>Category: History of art in antiquity<\/strong><\/th>\n<\/tr>\n<\/thead>\n
La recherche porte sur l\u2019impact de la m\u00e9moire sur la construction identitaire des soci\u00e9t\u00e9s, gr\u00e2ce \u00e0 l\u2019analyse des diff\u00e9rentes formes de r\u00e9utilisation du pass\u00e9.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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ELIE ESSA KAS HANNA<\/span><\/a><\/div>
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2018<\/strong><\/th>\nLes monast\u00e8res dans les \u00eeles mineures de Provence et des archipels ligure et toscan de l\u2019Antiquit\u00e9 tardive au Moyen \u00e2ge<\/em><\/th>\nNationality: Syria<\/strong>
\nCategory: History <\/strong><\/th>\n<\/tr>\n<\/thead>\n
La recherche est centr\u00e9e sur les monast\u00e8res et petites installations chr\u00e9tiennes pr\u00e9sents dans les \u00eeles mineures de Provence, Ligurie et Toscane entre le V\u00b0 et le XII\u00b0 si\u00e8cle. Les vestiges du monachisme insulaire sont nombreux en M\u00e9diterran\u00e9e occidentale\u00a0: ils sont r\u00e9partis depuis les c\u00f4tes de l\u2019Italie m\u00e9ridionale jusqu\u2019\u00e0 celles de la P\u00e9ninsule ib\u00e9rique. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MATHIEU BEAUD<\/span><\/a><\/div>
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2017<\/strong><\/th>\nIconographie et sc\u00e9nographie urbaine : \u00ab culture visuelle \u00bb et \u00ab religion civique \u00bb \u00e0 V\u00e9rone au XIIe si\u00e8cle<\/em><\/th>\nNationality: France<\/strong>
\nCategory: History <\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ce projet porte sur un type de portail d\u2019\u00e9glise particulier, le protiro, \u00e0 savoir un portail distyle sur animaux stylophores abrit\u00e9 sous une canop\u00e9e. Apparus \u00e0 Mod\u00e8ne \u00e0 la fin du XIe si\u00e8cle, les protiri se diffusent dans la plaine du P\u00f4 jusqu\u2019au milieu du XIIIe si\u00e8cle dans les villes de la r\u00e9gion qui choisissent cette structure d\u00e9corative pour orner l\u2019entr\u00e9e de leurs \u00e9difices de culte les plus importants […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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DOMINIQUE BARCAT<\/span><\/a><\/div>
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2016<\/strong><\/th>\nL\u2019Egypte dans la M\u00e9diterran\u00e9e au 1er mill\u00e9naire avant JC : re-\u00e9valuer la place de l\u2019Egypte dans l\u2019histoire m\u00e9diterran\u00e9enne \u00e0 travers l\u2019arch\u00e9ologie des milieux littoraux et insulaires<\/span><\/em><\/th>\nNationality: France
\n<\/strong>Category: History of art in antiquity
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Un des points de d\u00e9part de mes r\u00e9flexions r\u00e9side dans la constatation partag\u00e9e par plusieurs sp\u00e9cialistes de l\u2019absence de l\u2019\u00c9gypte dans l\u2019Histoire de la M\u00e9diterran\u00e9e antique, alors m\u00eame que le sujet a suscit\u00e9, au niveau international, un regain d\u2019int\u00e9r\u00eat remarquable ces quinze derni\u00e8res ann\u00e9es.\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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JOANA BARRETO<\/span><\/a><\/div>
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2015<\/strong><\/th>\nNaples, carrefour artistique entre Occident, Afrique et Orient au XV\u00e8me si\u00e8cle<\/em><\/th>\nNationality: France<\/strong>
\nCategory: History<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Apr\u00e8s avoir replac\u00e9 lors de ma th\u00e8se la dynastie aragonaise de Naples dans son contexte italien et europ\u00e9en, j\u2019ai souhait\u00e9 ouvrir les fronti\u00e8res et changer d\u2019\u00e9chelle d\u2019analyse. Caract\u00e9ris\u00e9e comme porte vers l\u2019Afrique et ouverture vers l\u2019imaginaire oriental par Edward Sa\u00efd, Naples s\u2019inscrit aux marges d\u2019une […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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ALLEGRA IAFRATE<\/span><\/a><\/div>
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2014<\/strong><\/th>\nLe Tr\u00f4ne errant du roi Salomon : \u00e9tude d\u2019un symbole culturel partag\u00e9 en M\u00e9diterran\u00e9e m\u00e9di\u00e9vale<\/em><\/th>\nNationality: Italy<\/strong>
\nCategory:\u00a0Art history of the Middle Age<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ce projet s\u2019ajoute \u00e0 ma th\u00e8se de doctorat, intitul\u00e9e: The Wandering Throne of Solomon : Precious Objects and Legends of Kinghsip in the Medieval Mediterranean<\/i>. Cette recherche en histoire culturelle est centr\u00e9e sur la circulation d\u2019objets et de traditions litt\u00e9raires en rapport avec le roi Salomon, en […] Ph: Maria Annunziata. Photograph \u00a9 2015. Foto su concessione del Capitolo della Cattedrale di Anagni<\/span><\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
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SILVIA ARMANDO<\/span><\/a><\/div>
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2013<\/strong><\/th>\nArt et arch\u00e9ologie du monde m\u00e9diterran\u00e9en m\u00e9di\u00e9val \u00e0 travers la correspondance et les archives photographiques de Ugo Monneret de Villard<\/em><\/th>\nNationality: Italy<\/strong>
\nCategory: History of art history<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ugo Monneret de Villard (Milan 1881 \u2013 Rome 1954) a d\u2019abord re\u00e7u une formation d\u2019ing\u00e9nieur \u00e0 l\u2019\u00c9cole Polytechnique de Milan. \u00c9l\u00e8ve de Camillo Boito, il se passionna tr\u00e8s t\u00f4t pour le Moyen \u00c2ge et les grands d\u00e9bats contemporains sur la critique artistique, la m\u00e9thode arch\u00e9ologique, l\u2019esth\u00e9tique et l\u2019architecture. […]<\/p>\n

Ph. Istituto di Archeologia e Storia dell’Arte de Rome, Fondo Monneret de Villard.<\/span><\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
RIDHA MOUMNI<\/span><\/a><\/div>
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2012<\/strong><\/th>\nQu\u00eates Carthaginoises: La red\u00e9couverte de Carthage et sa r\u00e9ception dans la r\u00e9gence de Tunis <\/em><\/th>\nNationality: Tunisia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
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<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
BELISA MUKA<\/span><\/a><\/div>
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2011<\/strong><\/th>\nLes terres cuites de type grec en Illyrie m\u00e9ridionale et en \u00c9pire du Nord<\/em><\/th>\nNationality: Albania<\/strong>
\nCategory: Arch\u00e9ology<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Le sujet de recherche trouve ses origines dans ma participation, depuis 2003, \u00e0 la Mission arch\u00e9ologique franco-albanaise de Durr\u00ebs qui \u00e9tudie, entre autres Categorys du mat\u00e9riel, les figurines votives de l\u2019Art\u00e9mision de la cit\u00e9 antique d\u2019\u00c9pidamne-Dyrrhachion. L\u2019int\u00e9r\u00eat de d\u00e9crire le contexte g\u00e9n\u00e9ral dans lequel […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
CHARA KOLOKYTHA<\/span><\/a><\/div>
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2010<\/strong><\/th>\nL\u2019\u00e9diteur T\u00e9riade et la revue Verve : un intellectuel d\u2019origine grecque au c\u0153ur de la modernit\u00e9<\/em><\/th>\nNationality: Gr\u00e8ce<\/strong>
\nCategory: Art history and cultural history<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ce projet de recherche s\u2019est fond\u00e9 sur l\u2019id\u00e9e d\u2019un voyage. Il s\u2019agit d\u2019un voyage de documentation qui plonge dans un fond culturel. Son but principal est de suivre les pas d\u2019un intellectuel grec, T\u00e9riade, son trajet professionnel, afin de rassembler la documentation n\u00e9cessaire pour \u00e9lucider et \u00e9valuer la port\u00e9e de son […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
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<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"100-width.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"The prize enables the realization of a research project representing an original contribution to the knowledge of the arts and humanities of the Mediterranean.","_seopress_robots_index":"","footnotes":""},"class_list":["post-2911","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/pages\/2911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/comments?post=2911"}],"version-history":[{"count":66,"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/pages\/2911\/revisions"}],"predecessor-version":[{"id":5318,"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/pages\/2911\/revisions\/5318"}],"wp:attachment":[{"href":"https:\/\/www.fondationmdm.com\/en\/wp-json\/wp\/v2\/media?parent=2911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}