{"id":2887,"date":"2017-07-23T14:59:24","date_gmt":"2017-07-23T12:59:24","guid":{"rendered":"http:\/\/www.ludovi.ca\/fondationmdm\/?p=2887\/"},"modified":"2017-07-23T14:59:24","modified_gmt":"2017-07-23T12:59:24","slug":"vincent-bizien","status":"publish","type":"post","link":"https:\/\/www.fondationmdm.com\/en\/vincent-bizien\/","title":{"rendered":"VINCENT BIZIEN"},"content":{"rendered":"
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1995<\/strong><\/th>\nPeintures r\u00e9alis\u00e9es \u00e0 partir des fresques du cycle de la Vraie Croix de Piero della Francesca, Arezzo, Italie<\/em><\/th>\nNationality: France<\/strong>
\nCategory: Painting<\/strong><\/th>\n<\/tr>\n<\/thead>\n
D\u00e8s 1993 j\u2019ai commenc\u00e9 un travail de recherches picturales sur les fresques de Piero della Francesca accompagn\u00e9 par la lecture d\u2019un livre \u00e9crit en 1265 par Jacques de Voragine sur l\u2019invention de la croix et l\u2019exaltation de la vraie croix consid\u00e9r\u00e9es comme la source du cycle de la Vraie Croix de Piero della Francesca (\u2026) En 1997, \u00e0 Arezzo, face aux fresques un v\u00e9ritable choc : Piero della Francesca savait parfaitement cr\u00e9er l\u2019illusion de la profondeur gr\u00e2ce \u00e0 la perspective et la fa\u00e7on dont il posait la lumi\u00e8re mais il pouvait en m\u00eame temps comprimer les objets dans un plan frontal, cr\u00e9ant un espace symbolique o\u00f9 les formes ne sont ni compl\u00e8tes ni tout \u00e0 fait lisibles, une sorte de pi\u00e8ge \u00e0 regard. C\u2019est ce jeu qui me fascina (\u2026) et je compris que je devais me situer vraiment du c\u00f4t\u00e9 de la peinture et mettre de c\u00f4t\u00e9 le caract\u00e8re historique et religieux. (\u2026)<\/p>\n

Le dessin qui se situe du c\u00f4t\u00e9 de la pens\u00e9e, proche d\u2019une \u00e9criture automatique, atomise parfois de lui-m\u00eame le sujet et j\u2019avance ainsi en faisant des digressions qui me conduisent ailleurs. A cette \u00e9poque j\u2019ai donc r\u00e9alis\u00e9 une s\u00e9rie d\u2019\u0153uvres qui m\u00ealent diff\u00e9rents aspects en utilisant une technique qui s\u2019approchait de la fresque : on y retrouvait des imbrications de maisons, des lignes, des plans, des parties de corps humain ou animal que m\u2019avaient inspir\u00e9 les fresques.<\/p>\n

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