{"id":2635,"date":"2017-07-19T09:48:15","date_gmt":"2017-07-19T07:48:15","guid":{"rendered":"http:\/\/www.ludovi.ca\/fondationmdm\/?page_id=2635\/"},"modified":"2025-10-21T09:31:02","modified_gmt":"2025-10-21T07:31:02","slug":"lista-delle-borse-attribuite","status":"publish","type":"page","link":"https:\/\/www.fondationmdm.com\/it\/lista-delle-borse-attribuite\/","title":{"rendered":"Lista delle borse attribuite"},"content":{"rendered":"

INES MITANNE<\/span><\/a><\/div>
<\/div><\/div><\/div>
\n\n\n\n\n\n
2025<\/strong><\/th>\nFaire le tour de la mer pour sauver la terre<\/em><\/th>\nNazionalit\u00e0: Francia
\nCategoria: Agro\u00e9cologie sociale<\/th>\n<\/tr>\n<\/thead>\n
Ricerca in corso<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
ANAMA KOTLAREVSKY <\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2024<\/strong><\/th>\nAtlas g\u00e9n\u00e9ral (archive spatiale des \u00e9changes litt\u00e9raires \u00e0 Tanger, \u00e0 Alexandrie et \u00e0 Istanbul pour un cosmopolitisme des savoirs.)<\/i><\/th>\nNazionalit\u00e0: Francia
\nCategoria: letteratura<\/th>\n<\/tr>\n<\/thead>\n
Il progetto Atlante generale per un cosmopolitismo dei saperi nasce dal desiderio di aprirsi alla diversit\u00e0 delle culture, delle idee e delle forme di creazione. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
ASTRID BOISGIBAULT <\/span><\/a><\/div>
<\/div><\/div><\/div>
\n\n\n\n\n\n
2023<\/strong><\/th>\nObjets quotidiens et art de la table en M\u00e9diterran\u00e9e : rencontres et cr\u00e9ation<\/em><\/th>\nNazionalit\u00e0: Francia
\nCategoria: Artigianato, mestieri d\u2019arte, design<\/th>\n<\/tr>\n<\/thead>\n
Un\u2019esposizione \u00e8 stata organizzata a Rodi in maggio 2024. La presentazione finale del progetto non \u00e8 stata comunicata dalla vincitrice della borsa.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
GABRIELE LANGOSCO<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2021<\/strong><\/th>\nScultura genevose, rotte mediterranee nell\u2019et\u00e0 di Filippo II (1556-1598)<\/i><\/th>\nNazionalit\u00e0: Italia <\/strong>
\nCategoria: Storia dell\u2019arte<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Obiettivo del progetto \u00e8 stata la realizzazione di un viaggio di studio nel territorio spagnolo. In un periodo di residenza di pi\u00f9 di tre mesi (agosto – novembre 2021) si \u00e8 andati alla ricerca di sculture genovesi con l\u2019intenzione di visionarle, documentarle e fotografarle. Come limiti cronologici della ricerca, si sono scelti gli anni della monarchia di Filippo II (1556-1598), quando le relazioni diplomatiche tra Genova e la Spagna erano particolarmente solide. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
GAETAN SOERENSEN<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2020<\/strong><\/th>\nWAQF, liens de familles palestiniennes \u00e0 leurs terres<\/i><\/th>\nNazionalit\u00e0: Francia <\/strong>
\nCategoria: Multimedia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
C\u2019est en 2017, lors d\u2019un voyage \u00e0 Amman pour rendre visite \u00e0 mon ami Mustapha, que je d\u00e9couvre l\u2019existence du waqf. Farid Fakhreddine, l’oncle de Mustapha, originaire de Naplouse, me raconte que de l\u2019autre c\u00f4t\u00e9 de la fronti\u00e8re existent des terres appartenant \u00e0 sa famille depuis des si\u00e8cles, r\u00e9gies sous la loi du waqf. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MIYUKA SCHIPFER<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2019<\/strong><\/th>\nPortrait de M\u00e9diterran\u00e9e \/ Cultures et croyances<\/em><\/th>\nNazionalit\u00e0: Francia <\/strong>
\nCategoria: arte\/disegno<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Le but \u00e9tait de rendre compte de l\u2019esth\u00e9tique de la diversit\u00e9 des cultures et des croyances issues des m\u00e9langes des civilisations pass\u00e9es et contemporaines dans cette r\u00e9gion, au moyen de relev\u00e9s dessin\u00e9s.\u00a0\u00c0 travers ces croquis dans ces villes et dans leurs lieux de culte, j\u2019ai souhait\u00e9 dresser un portrait graphique des espaces et des repr\u00e9sentations religieuses visibles dans un environnement contemporain, et leur influence sur l\u2019esth\u00e9tique g\u00e9n\u00e9rale de la ville et de ses habitants, notamment en observant leurs habitudes et leurs rituels et en les questionnant sur leurs croyances.\u00a0[…]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MARIA LUISA COLLI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2018<\/strong><\/th>\nLe pescatrici del Mediterraneo: spazi e pratiche delle donne del mare
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria:\u00a0Sociologia, antropologia<\/th>\n<\/tr>\n<\/thead>\n
Questo progetto di ricerca nasce dall\u2019ambizione di coniugare gli interessi e gli approcci dell’antropologia culturale<\/em> con quelli dell’antropologia dello spazio <\/em>e dell’antropologia economica<\/em>. Le protagoniste della ricerca sono le “donne pescatrici”, un soggetto sociale spesso negato o dimenticato. Si \u00e8 scelto di utilizzare un approccio comparativo, nella speranza, partendo dalla formulazione di domande simili, di riuscire a mettere in risalto le singolarit\u00e0 dei campi di ricerca […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MARINE MESSINA<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2017<\/strong><\/th>\nMots pour maux, paroles de r\u00e9fugi\u00e9s
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Letteratura, testimonianza umanitaria<\/strong><\/th>\n<\/tr>\n<\/thead>\n
L’objectif du projet \u00e9tait de raconter la trajectoire de jeunes qui ont pris la route de l\u2019exil seuls, enfants et adolescents, ceux que l\u2019on nomme les \u00ab mineurs non accompagn\u00e9s \u00bb. Alors qu\u2019on ne parle que de crise migratoire et de \u00ab flux de migrants \u00bb, le but \u00e9tait de partir \u00e0 la rencontre de personnes, d\u2019individualit\u00e9s, pour raconter ces jeunes, leur donner chair, une voix et un visage, et qu\u2019ils soient incarn\u00e9s dans un ouvrage qui retracerait leur r\u00e9cit […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MELIS CAGAN<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2016<\/strong><\/th>\n\u201cBack to school\u201d: Mapping and Visualizing the Past and Present of Foreign Schools in Mediterranean Port Cities
\n<\/em><\/th>\n		Nazionalit\u00e0: Turchia<\/strong>
\nCategoria: Storia e architettura
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Foreign schools from the 19th<\/sup> and 20th<\/sup> century were the beginning of the globalized education system we have today, where there is a constant exchange of scholarship, students and teachers between countries, as well as collaborative educational projects. My project arose from the idea that there is a lot to learn […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
JUDITH BOUCHIER VEGIS<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2015<\/strong><\/th>\nSir\u00e8nes, Muses et M\u00e9duses
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Teatro musicale
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
L\u2019intitul\u00e9 initial du projet \u00e9tait : \u00ab Identit\u00e9s f\u00e9minines d\u2019Italie, Gr\u00e8ce et Bulgarie \u00e0 travers le chant traditionnel et son histoire : de sa naissance \u00e0 aujourd\u2019hui, jusqu\u2019\u00e0 son impact sur les musiques actuelles \u00bb. Le but \u00e9tait de rencontrer et enregistrer des femmes dans ces pays qui portent en elles des traditions musicales […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
ALESSIA LEOFREDDI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2014<\/strong><\/th>\nLa liturgie orthodoxe : le \u201cdrame en musique\u201d de la chr\u00e9tient\u00e9 d\u2019Orient. Une \u00e9tude de la liturgie en Serbie, Bosnie-Herzegovine et Montenegro.
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria: Sociologia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Il mio progetto \u00e8 stato un\u2019immersione all\u2019interno del mondo cristiano ortodosso dei Balcani occidentali con lo scopo di registrare i tentativi di rinnovamento di cui \u00e8 attualmente oggetto il rito bizantino nella Chiesa ortodossa serba. Il permanere di un rito cos\u00ec antico, praticato nel mondo contemporaneo […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
PANDORA DOURMISI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2013<\/strong><\/th>\nArchitectures en terre \u00e0 l\u2019abandon dans la partie occidentale des Balkans
\n<\/em><\/th>\n		Nazionalit\u00e0: Grecia<\/strong>
\nCategoria: Architettura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
It all started with a journey in the western Balkan region with the aim to trace, retrieve and study the applications of earthen architecture which evolved, spread, flourished and finally declined, in an area, that despite the geographical and cultural differences, has more elements to share rather to divide. The countries\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
CAMILLE OARDA<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2012<\/strong><\/th>\nImpressions en Mediterran\u00e9e
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Stampa e incisioni
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
C\u2019est un projet qui a vu jour il y a un peu plus d\u2019un an, autour de la M\u00e9diterran\u00e9e que j\u2019ai d\u00e9cid\u00e9 d\u2019aborder sous un angle artistique. J\u2019ai souhait\u00e9 partir \u00e0 la rencontre de ces terres et mers proches pour certains, inconnues et lointaines pour d\u2019autres,\u00a0 \u00e0 la d\u00e9couverte de ces cultures, de ces paysages m\u00e9diterran\u00e9ens\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
OMAR S. GHIANI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2011<\/strong><\/th>\nLes po\u00e8tes arabes chr\u00e9tiens comme trait d\u2019union entre Orient et Occident
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria: Letteratura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Projet inachev\u00e9. Ce projet devait \u00eatre une recherche men\u00e9e sur l\u2019apport des po\u00e8tes arabes chr\u00e9tiens et sur le trait d\u2019union ainsi jet\u00e9 entre Orient et Occident : elle devait consister en une exploration men\u00e9e dans plusieurs pays du Moyen Orient. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
GIUSEPPE A. ALIZZI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2010<\/strong><\/th>\nOSMAN MODERN : Photoroute from Istanbul to Beirut across the Schools of Tanz\u00eemat
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria:\u00a0Urban Studies\/ Photography<\/th>\n<\/tr>\n<\/thead>\n
Osmanmodern<\/em> is an itinerant on-site investigation about the process of modernization undertaken by the Ottoman Empire during the second half of the XIXth century, today known as Tanz\u00eemat Era (1869\u20131876).\u00a0<\/em>\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
FRANCOISE MOREL<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2009<\/strong><\/th>\n\u00abChants f\u00e9minins alg\u00e9riens de Kabylie, voix des trag\u00e9dies et des gloires \u00bb en vue de m\u00e9moriser et de mieux conna\u00eetre une expression culturelle importante, celle du chant f\u00e9minin kabyle
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria:\u00a0Etnomusicologia, conservazione di canti tradizionali<\/th>\n<\/tr>\n<\/thead>\n
Progetto non terminato<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MAZEN HAIDAR AHMAD<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2008<\/strong><\/th>\nArchitectures multilingues : les influences culturelles diverses ayant particip\u00e9 \u00e0 la formation de l\u2019architecture locale d\u2019une r\u00e9gion du sud-est de la Turquie
\n<\/em><\/th>\n		Nazionalit\u00e0: Libano<\/strong>
\nCategoria: Architettura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Mon projet les architectures multilingues est un cheminement de d\u00e9couverte dans une ville et un contexte multiculturel et multilingue, la ville de Mardin en Anatolie, o\u00f9 se marient les traditions syriaque, arabe, ottomane et europ\u00e9enne occidentale. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
EVANGELIA KRANIOTI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2007<\/strong><\/th>\nPortfolio de photographies, linogravures et textes sur les gens des \u00eeles italiennes : Sicile, Iles Eoliennes
\n<\/em><\/th>\n		Nazionalit\u00e0: Grecia<\/strong>
\nCategoria: Fotografia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
En grec la mer est appel\u00e9e \u00ab thalassa \u00bb mais aussi \u00ab pontos \u00bb, qui veut dire passage. Cette double qualit\u00e9 de l\u2019eau, de rapprocher autant qu\u2019elle divise, donne naissance \u00e0 des voyages et des aventures, des \u00e9loignements et des s\u00e9parations, \u00e0 des retours et des nouveaux d\u00e9parts. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
M. ERICA COUTO-FERREIRA<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2007<\/strong><\/th>\nThe Body on the Altar: The Tradition of Anatomical Exvoto in Italian Healing<\/em><\/th>\nNazionalit\u00e0: Spagna<\/strong>
\nCategoria:\u00a0Storia della medicina, storia delle religioni, storia dell’arte<\/strong><\/th>\n<\/tr>\n<\/thead>\n
La beca Marc de Montalembert 2007 me ha permitido, con la realizaci\u00f3n del proyecto \u00ab El cuerpo sobre el altar: la tradici\u00f3n de los exvotos anat\u00f3micos como pr\u00e1ctica curativa en Italia \u00bb, iniciar una l\u00ednea de investigaci\u00f3n que hab\u00eda suscitado mi inter\u00e9s desde\u00a0siempre. \u00a0\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
KARINE LAMARCHE<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2006<\/strong><\/th>\nEnqu\u00eate aupr\u00e8s de pacifistes isra\u00e9liens et palestiniens engag\u00e9s dans la lutte pour la co-existence des deux peuples, et l\u2019\u00e9laboration d\u2019un document conjuguant entrevues et photos des personnes interrog\u00e9es en des lieux embl\u00e9matiques de leur choix
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Sociologia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Depuis plusieurs ann\u00e9es, je me rends en Isra\u00ebl pour rencontrer des citoyens de ce pays qui ont fait le choix de la r\u00e9sistance non-violente, au c\u00f4t\u00e9 des Palestiniens. Plusieurs de mes travaux universitaires ont \u00e9t\u00e9 publi\u00e9s et je suis intervenue dans de nombreuses conf\u00e9rences. N\u00e9anmoins, je ressentais depuis longtemps une\u00a0\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
STEFANIA GEREVINI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2006<\/strong><\/th>\nEtude de terrain sur l\u2019interaction culturelle \u00e0 partir de l\u2019analyse de la r\u00e9utilisation d\u2019\u00e9l\u00e9ments architecturaux byzantins dans les \u00e9difices selgiucides en Turchie et la pr\u00e9paration d\u2019un catalogue des monuments recens\u00e9s
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria: Storia dell’arte
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
\u201cByzantium Incorporated: Seljuk Religious Architecture and the Reuse of Antique and Byzantine Spolia\u201d : the study which the Fondation Marc de Montalembert has generously supported and encouraged focuses on the encounter between Islam and Christianity in Anatolia between the eleventh and the thirteenth century\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
LISA THERME<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2005<\/strong><\/th>\nFilm documentaire \u201cLes gardiens invisibles\u201d
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Antropologia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Le projet consiste dans la r\u00e9alisation d\u2019un film documentaire destin\u00e9 \u00e0 \u00e9clairer un aspect de l\u2019islam maghr\u00e9bin : la lila, rituel musico-th\u00e9rapeutique pratiqu\u00e9e par la confr\u00e9rie marocaine des Hamadcha, repose sur la communication entre l\u2019homme et l\u2019esprit consid\u00e9r\u00e9 comme responsable de la maladie.\u00a0 […] Ph: Olivier Ralet<\/span><\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MARCO RICUCCI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2005<\/strong><\/th>\nVoyage sur des lieux de la M\u00e9diterran\u00e9e qui ont inspir\u00e9 des \u00e9crivains de l\u2019antiquit\u00e9 \u00e0 nos jours
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria: Letteratura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Scrivere e viaggiare sono due mie grandi passioni che, grazie alla Fondazione Marc de Montalembert, ho potuto concretare nel libro Mediterraneo, mare di cristallo: taccuino di un viaggio marittimo-letterario. In questo libro, che mi auguro di poter presto pubblicare, racconto il mio viaggio di scrittore-lettore fatto\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
IOSIF HADJIKYRIAKOS<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2004<\/strong><\/th>\n \u201cM\u00e9diterran\u00e9e, images et traditions\u201d \u00e0 la recherche de mythes m\u00e9di\u00e9vaux encore vivants dans les traditions orales et artistiques
\n<\/em><\/th>\n		Nazionalit\u00e0: Cipro<\/strong>
\nCategoria: Pittura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
La mia esperienza nella fondazione Marc de Montalembert \u00e8 relativa al mio progetto di ricerca pittorica e storico-artistica legata alla figura mitologica di Digenis Akritas, svolta in sette paesi del bacino del Mediterraneo. Nella Fondazione ho trovato lo spazio materiale e immateriale per svolgere il mio lavoro […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
MONICA VIDILI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2003<\/strong><\/th>\nRecherche sur les interactions entre tourisme et cultures locales
\n<\/em><\/th>\n		Nazionalit\u00e0: Italia<\/strong>
\nCategoria: Etnografia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ho deciso di partecipare al concorso della Fondazione per valorizzare le mie competenze nel campo dell\u2019antropologia culturale per rilevare l\u2019incontro fra culture attraverso il turismo.\u00a0Ho deciso di analizzare gli stessi fenomeni che ero abituata a osservare nella mia terra, la Sardegna, in un altro contesto etnografico, quello di Rodi. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
KONSTANTIA KEFALA<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2003<\/strong><\/th>\nEtude comparative de trois ic\u00f4nes du XVI\u00e8me si\u00e8cle \u2013 On the Tracks of Lost Hospitaller Icons of Rhodes
\n<\/em><\/th>\n		Nazionalit\u00e0: Grecia<\/strong>
\nCategoria: Storia dell’arte
\n<\/strong><\/th>\n<\/tr>\n<\/thead>\n
My project involved in-depth research in the field of Byzantine art and, more precisely, in the domain of artistic production in Rhodes during the late 15th and early 16th centuries. It concerned three portable icons depicting Saint John the Baptist, the patron of the Order of Hospitallers Knights […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
ALBERT GATT et KARL SCHEMBRI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2002<\/strong><\/th>\nAu de l\u00e0 de la M\u00e9diterran\u00e9e : la construction narrative de l\u2019identit\u00e9 post-coloniale m\u00e9diterran\u00e9enne
\n<\/em><\/th>\n		Nazionalit\u00e0: Malta<\/strong>
\nCategoria: Giornalismo<\/strong><\/th>\n<\/tr>\n<\/thead>\n
The ambition of our project is to question the conception of \u201cMediterranean culture\u201d as a geographical fiction, whose apparent unity masks a huge diversity. This diversity is especially evident in the designations that the various countries of the Mediterranean basin select in order to create their political and cultural\u00a0 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
GEOFFROY JOURDAIN<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
2000<\/strong><\/th>\nM\u00e9moire photographique de la Musique
\n<\/em><\/th>\n		Nazionalit\u00e0: Francia<\/strong>
\nCategoria: Musica<\/strong><\/th>\n<\/tr>\n<\/thead>\n
En obtenant l\u2019aide de la Fondation Marc de Montalembert en 2000, un formidable \u00e9lan a \u00e9t\u00e9 donn\u00e9 \u00e0 mes projets, ceux que je r\u00eavais de r\u00e9aliser, et ceux que j\u2019allais d\u00e9couvrir\u2026 J\u2019ai pu entreprendre de s\u00e9journer dans plusieurs villes d\u2019Europe (Utrecht, Haarlem, Uppsala, Venise, Rome, Bologne\u2026) […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
LIONEL ROUX<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
1999<\/strong><\/th>\nM\u00e9moire photographique de la transhumance<\/em><\/th>\nNazionalit\u00e0: Francia<\/strong>
\nCategoria: Fotografia<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Petit-fils et fils de berger, je m\u2019int\u00e9resse \u00e0 ce monde qui ne sera pas le mien. L\u2019outil photographique me permet de m\u2019inclure dans l\u2019univers de ces hommes. Chacun dans son immanence, eux gardent des moutons, moi des instants. Chaque jour, je recr\u00e9e ce monde dont je suis issu\u2026 […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
GUY-PIERRE CHOMETTE<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
1998<\/strong><\/th>\nLisi\u00e8res d\u2019Europe<\/em><\/th>\nNazionalit\u00e0: Francia<\/strong>
\nCategoria: Giornalismo<\/strong><\/th>\n<\/tr>\n<\/thead>\n
En 2004 et 2007, dix pays d\u2019Europe centrale ont int\u00e9gr\u00e9 l\u2019Union europ\u00e9enne : la Bulgarie, l\u2019Estonie, la Hongrie, la Lettonie, la Lituanie, la Pologne, la R\u00e9publique tch\u00e8que, la Roumanie, la Slovaquie et la Slov\u00e9nie. Depuis cette vague d\u2019\u00e9largissement sans pr\u00e9c\u00e9dent, l\u2019Union poss\u00e8de une nouvelle fronti\u00e8re orientale. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
FELICIEN CARLI<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
1997<\/strong><\/th>\ninventaire des mines de terres naturelles colorantes dans la r\u00e9gion m\u00e9diterran\u00e9enne<\/em><\/th>\nNazionalit\u00e0: Francia<\/strong>
\nCategoria: Architettura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
\u00ab Aujourd\u2019hui, les terres colorantes, chaudes et vivantes, ont pratiquement disparu de nos villes et villages pour laisser place au blanc \u00ab aseptique \u00bb synonyme d\u2019hygi\u00e8ne. Le \u00ab ton pierre \u00bb s\u2019obtient actuellement avec de nouvelles peintures, de nouvelles compositions d\u2019enduits, plus ou moins chimiquement obtenues. […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
CHRISTOPHE DABITCH<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
1996<\/strong><\/th>\nSur les traces de la guerre avec Jean Hatzfeld<\/em><\/th>\nNazionalit\u00e0: Francia<\/strong>
\nCategoria: Giornalismo<\/strong><\/th>\n<\/tr>\n<\/thead>\n
A l\u2019\u00e9poque o\u00f9 j\u2019ai obtenu le pr\u00eat, j\u2019\u00e9tais journaliste et j\u2019avais r\u00e9alis\u00e9 un documentaire en 1993, diffus\u00e9 par Arte, \u00ab Dabic et Dabitch, un cousin serbe \u00bb. De lointaine origine yougoslave, j\u2019avais d\u00e9couvert ce pays avant le d\u00e9but de la guerre et ce film \u00e9tait un dialogue intime avec mon jeune […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/span><\/a><\/span>
VINCENT BIZIEN<\/span><\/a><\/div>
<\/div><\/div><\/div>
<\/span><\/a><\/span>
\n\n\n\n\n\n
1995<\/strong><\/th>\nPeintures r\u00e9alis\u00e9es \u00e0 partir des fresques du cycle de la Vraie Croix de Piero della Francesca, Arezzo, Italie<\/em><\/th>\nNazionalit\u00e0: Francia<\/strong>
\nCategoria: Pittura<\/strong><\/th>\n<\/tr>\n<\/thead>\n
\u00ab D\u00e8s 1993 j\u2019ai commenc\u00e9 un travail de recherches picturales sur les fresques de Piero della Francesca accompagn\u00e9 par la lecture d\u2019un livre \u00e9crit en 1265 par Jacques de Voragine sur l\u2019invention de la croix et l\u2019exaltation de la vraie croix consid\u00e9r\u00e9es comme la source du cycle de la Vraie Croix de Piero della Francesca […]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div>
<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"100-width.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"Le borse a progetto sostengono la realizzazione di progetti legati alla cultura e ai mestieri d\u2019arte, per ncoraggiare i giovani della regione mediterranea","_seopress_robots_index":"","footnotes":""},"class_list":["post-2635","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/pages\/2635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/comments?post=2635"}],"version-history":[{"count":50,"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/pages\/2635\/revisions"}],"predecessor-version":[{"id":5230,"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/pages\/2635\/revisions\/5230"}],"wp:attachment":[{"href":"https:\/\/www.fondationmdm.com\/it\/wp-json\/wp\/v2\/media?parent=2635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}