{"id":2682,"date":"2017-07-19T15:25:09","date_gmt":"2017-07-19T13:25:09","guid":{"rendered":"http:\/\/www.ludovi.ca\/fondationmdm\/?p=2682\/"},"modified":"2017-07-21T16:03:13","modified_gmt":"2017-07-21T14:03:13","slug":"konstantia-kefala","status":"publish","type":"post","link":"https:\/\/www.fondationmdm.com\/it\/konstantia-kefala\/","title":{"rendered":"KONSTANTIA KEFALA"},"content":{"rendered":"
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2003<\/strong><\/th>\nEtude comparative de trois ic\u00f4nes du XVI\u00e8me si\u00e8cle \u2013 On the Tracks of Lost Hospitaller Icons of Rhodes<\/em><\/th>\nNazionalit\u00e0: Grecia<\/strong>
\nCategoria: Storia dell’arte<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Descrizione del progetto: <\/strong>\u201cMy project involved in-depth research in the field of Byzantine art and, more precisely, in the domain of artistic production in Rhodes during the late 15th and early 16th centuries. It concerned three portable icons depicting Saint John the Baptist, the patron of the Order of Hospitallers Knights. One of them is kept in a church in Rhodes, the second belonged \u2013 at least until 1974 \u2013 to a private collection in Milan and the third is in the church of St. Anne in Apt, a small town in the South of France. All of them give invaluable information on the historical and artistic context of the period, especially the third, unknown to scholars, which includes a depiction of the donor, Jacques de Bourbon, his coat-of-arms and the arms of the last Grand Master to rule Rhodes, Philippe Villiers de l\u2019Isle Adam. The overwhelming experience of visiting small cities of Italy and<\/p>\n

France on the tracks of lost Rhodian icons allowed me to broaden my horizons and introduced me to new cultures and people.\u201d Une communication a \u00e9t\u00e9 pr\u00e9par\u00e9e et soumise en vue de publication.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>

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